paper:Art Nouveau and Nationalism paper?
This paper is a study of the graphic design history after discussion and knowledge to do. This paper is graphic design aesthetics, as well as to explain what the new art is, what is the traditional arts, and the relationship between them, and the specific examples given illustrate traditional art and new art; traditional art and new art relationship based on on the aesthetics of art related to the times, variability, it relates to aesthetics nationality, nationalism under new artistic aesthetics as well as art Nouveau and nationalism nationalist background of globalization, national context of globalization in art and aesthetics. In order to understand this article discusses, for example a lot of examples around the world, hoping to be able to aesthetics, make a positive contribution to this study.
The main features of the traditional arts are independent, planar, static; Art Nouveau features are more integrated, dynamic, instantaneous, three-dimensional, interesting combination of nature and science. In the conventional art, an independent visual arts, auditory arts, graphic arts, static art, manifested in painting, calligraphy, literature, music, photography, craft, architecture, theater, opera, acrobatics and so on; and new art there are many manifestations of the complex, it may change some aspects of the special or all, or traditional art forms of traditional art, such as space art, time arts, instant arts, plastic arts, decorative arts, science and art and other common new arts film and television. Not between traditional art and new art clear boundaries of traditional art under certain conditions into a new art, new art in a certain perspective, it is possible that the traditional arts. This relates to the aesthetics of the times change, sportiness. That is the beauty of consciousness embodied in the era of the content. Material practice certain times determines social consciousness and aesthetic consciousness of the era.
Times change, aesthetic sense also will be changed. Different times, different classes, different countries, different nationalities, for aesthetics, visual arts, attitudes can vary, vary over time. This relates to the art of aesthetic point of perpetual motion.
In view of this timeless art of aesthetic movement, there is a special artistic point of view, that is the art of nationalism. Nationality content aesthetic consciousness in the aesthetic performance. Due to language, geography, economic and psychological status of each nation is different, and the difference shows aesthetic content of consciousness. In the literary creation and appreciation particularly significant. Generally excellent literary works have a strong national character. Aesthetic form of art has the characteristics of the nation nationalist forms of art in the national art in performance-based national social life historical process, and gradually formed up.
Reflected in the language, structure, genre, artistic skills and so on. National Style with the development of society as well as the absorption of other forms of national literature and constantly enrich and develop. For example, the form of expression in painting, oil painting prevalent in Europe, in China and the Far East, the prevalence of ink painting, body painting prevalent in Africa; in the architectural aesthetics, high prevalent in Europe, sharp, round architectural style, especially the Baroque architecture Gothic architecture, etc., while in the Far East, China, Japan, Korea and other regions, the prevalence of angular, pavilions; in the art of music, prevalent in Europe piano, violin, cello, etc., in China in the Far East, the prevalence of the Suona, Erhu , Pipa(Lute); in literature and art, Chinese Cultural emphasis on collective, emphasizing ethics, while in Europe, the prevalence of individualism, the Renaissance movement that advocated individualism. From these manifestations of nationalism exemplified artistic aesthetic point of view, from the abstract to the philosophical point of view, that is the individual and collective, the individual and overall dialectical relationship.
Nationalism in the whole wide world, it can only be regarded as an individual, in todays globalized world, art direction and trend of the world, is the whole. Art nationalism can exist, will also exist, but will also artistic trend of globalization of the art of nationalism towards integration. Of course, we seek diversified development of arts and culture, in order to enrich mankinds pursuit of artistic aesthetics, because the entire human race is an interrelated whole unified nationalist artistic characteristics will affect each other in the trend of globalization, mutual learning, you have me, I have you, and common development.
Nationalism in the context of globalization will not go away? This is a question worth considering. This is the view of the support will not disappear. Because in todays world, no one can completely dominate the world of art to reach mainstream art, nor any kind of art is the advantage of aesthetics, aesthetics is the disadvantage of the other arts, and these so-called advantages of one aesthetic nor strong enough power exclude other artistic aesthetics, which would also involve the political sphere, the economic sphere and in the ideological field, psychology, etc., so that the art of aesthetic nationalism will not go away, they will affect each other, checking each other, together development of each other.
National character in the new art trends, but also toward globalization, integration, new art and traditional art, the art of different regions of nationalism, it will usher in a revolution, to meet the constant movement of the dialectical point of view, that is, ethnic traditional art and Nouveau art and nationalism, as well as new art and traditional arts among peoples, but also will move towards globalization and integration direction, however, the diversified development of human civilization, arts and culture to understand the human more conducive to development, therefore, in todays world, new artistic nationalism will co-exist in the form of globalization, and common development.
Summary, this paper is related to the history of graphic design aesthetic argument. In this paper, this paper is related to the graphic design aesthetics, and explain what the new art, what is the traditional arts, and the relationship between them, related to the times, change of artistic aesthetics, also related to the aesthetics of art nationality and nationalism under the new art aesthetics and nationalism art Nouveau and the globalization of nationalism, nationalism artistic aesthetic context of globalization and so on.
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